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Edward Hopper frequently incorporated loneliness as a theme in his paintings. The painting, "Nighthawks" was published in 14. A restaurant diner in New York City inspired it. "Drugstore" was an actual store also located in New York City, not far from the restaurant in "Nighthawks." The "Nighthawks" are assumed to be the three people sitting at the counter in the restaurant. The time setting is during the night. The only light given from the diner casts shadows on the other gloomy, vacant buildings. The mood is very sullen and empty. "Drugstore" embraces a similar mood and is very catching. There is not one person seen to be walking in the streets or background of the painting. Only the store stands on its own, sending a mysterious vibe. Artistically, Hopper used a keen technique of perspective when painting these two pieces. People are placed perfectly at a distance and drawn to the scale that they would be seen as if someone were actually standing on the street looking in the window. Hopper's artistic technique and use of symbolism may all be interpreted as harbored emotions expressed in color on paper. These emotions may involve loneliness, but perhaps Hopper was purposely demonstrating a message in his painting. There might be more meaning to the puzzle. Hopper once said, "The man's the work. Something doesn't come out of nothing." Well, in the present times of the millennium, the woman or the man is the work. But either way, this statement is valid. By saying that something doesn't come out of nothing, it could mean that he put more meaning behind these paintings than just the obvious. Hopper perhaps merely painted what he truly saw, like any natural, talented artist. But his eye for scenes such as these captured many emotions and opened the eyes of many. He allowed viewers to see how he was feeling when he painted them. The first reaction when first glancing at these paintings is not an average reaction.
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