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Picnic at Hanging Rock – Film Analysis
Peter Weir's film, "Picnic at Hanging Rock" utilises a variety of film techniques to create a masterpiece movie based on Joan Lindsay's novel. The film is a creation of haunting mystery, in which extremely effective use of music and sound portray the tense atmosphere and help characterise some characters. Exaggerated camera angles and extreme shots bring excitement to the film and convey ideas, which are not directly presented. The rock itself is filmed in detailed, and made to feel quite overpowering through special camera shots and help of music. The film is one free of plot and lacking of a final explanation, existing in the viewer's mind as an experience, as if the viewer was one of the girls who had picnicked at Hanging Rock and returned safely. Questions are posed and never answered. Thus the story of 20 schoolgirls in a Victorian age, celebrating St. Valentines Day is presented.
Sound and music are used in many ways to assist in the portrayal of different ideas and the creation of a tense atmosphere. The film begins with a time shot of the Australian bush, with Hanging Rock in the distance. A smoky haze is shown to roll over the bush towards the screen from the rock, and suggests that the rock is watching over the surrounding bush and has control over the area. A low thundering sound is present while the fog slowly covers the screen and the bush. This sound is repeated throughout the film several times and seems to represent the presence and 'life' of the rock at the base of the rock and even in Appleyard College itself (heard when Sarah was sitting on the stairs thinking to herself). The effect of this low grumbling is that the rock is made to seem ancient and brooding. This is a contrast to the clear sweet melody of the panpipes playing soon afterwards, inside the girls' school. The girls' happy laughter and joyful attitudes on St. Valentines Day also take the viewer's mind off the looming impression given by the initial shot of the rock. The panpipe's melody is a very distinct and memorable one, which is played during scenes of the girls from Appleyard College enjoying themselves and where all is peaceful, such as when Michael and Irma were spending time together walking near the ending.
While ascending the rock, an unsettling, church-like, scale-climbing melody is played on the organ. The use of the organ makes the rock seem very 'heavenly', something above the rest of the world. The ascending of the scale represents getting closer to the rock and builds up a tense atmosphere as well as anticipation in the viewer. As characters are climbing the rock, they are thought to be ascending to an unexplainable realm.
College papers on Picnic At Hanging Rock Film Analasys
The rock is silent at times when no emotions are involved, such as the picnic Michael's relatives were having and this shows that the rock can be 'safe'. It is also quite quiet when the policemen initially start looking for the girls, suggesting that the rock is keeping its silence. However, as the search becomes more desperate, music and sound are added to created life in the rock again. Shots of the rock with faces on it suggest that the visitors to the rock are being constantly watched. It's intimidating nature makes it seem as if it can swallow outsiders.
In Mrs. Appleyard's office, the clock can be heard ticking constantly, and shows the passing of time as well as portraying time as a burden, as described by Miranda when she explained that she
couldn't stand her watch "ticking away just above my (her) heart". The ticking of the clock is located inside Appleyard College and seems to be what holds it together, what prevents it from being wild and free, like in the bush near the rock, where time stops altogether and a sense of freedom is felt.
The use of a variety of camera angles conveys many different ideas, which are not directly presented in the film. The long shot showing Sarah waving Miranda goodbye as the girls left for the picnic suggested that Sarah was different from the rest of the girls through the use of distance. The camera closing in on Miss McCraw while she was talking about the geology of the rock shows that even talking about the rock created a tense atmosphere. The shot from underneath of Miranda cutting the cake suggests that humans are very intimidating and large. Close up photography shows the rock crawling with countless forms of animal, reptile and insect life. This is a contrast to the scene immediately before it, showing the girls in their world, unaware of the action surrounding them and standing motionless, while the animals are busy working. This suggests that humans are ignorant and lazy compared to the animal world.
Long shots generally convey distance. For example, when Albert was calling the cart back after he had found Irma, the long shot of him standing atop the rock screaming signifies desperation and distance from the rest of the world. Also, when Michael and Albert talked for the first time, a long shot of the two of them standing on each side of the screen makes it seem as if they are trying to be as far from each other as possible.
Camera shots from above characters may convey different meanings. During the helicopter shot of Edith tearing down the rock side, screaming shows how small she is compared to her surroundings and conveys vulnerability. However, the shots from above Michael as he is searching for Irma are angled so that it is possible to only see Michael, not what is ahead of him as he is climbing the rock and builds up anticipation in the viewer.
Through music and expert filming, a hallucinatory atmosphere and mesmeric rhythm is created, where viewers lose awareness of fact and become enclosed in the tense atmosphere of the mystery. The audience is also hypnotized away from the possibility of solutions.
Many editing techniques also add effect to the film. Shots of Miranda are often softened and made lighter to make her seem heavenly and angelic. There is often and overlapping of Miranda and scenes of nature, suggesting she has strong ties with nature and that may be why the rock 'selected' her to take from the human world.
Lighting is used to portray different characters. Mrs. Appleyard's room is often extremely dark, while shots of the girls from the College are almost always in the light. This shows that Mrs. Appleyard's mind is full of complexities and unexplained or greedy ambitions and thoughts, whereas the girls are pure and clear.
The film has a tense and mysterious atmosphere, which is created through the effective use of music and exaggerated camera angles and shots. Through beautiful cinematography, "Picnic at Hanging Rock" is a film of impenetrable nature that is created to be more of an experience, than a film with a resolution.
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