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CelebrityKyle Hawkins was what you'd call a self made man. His was a life that was by no means ordinary. Kyle was born to a middle class family living in post-nuclear Suburbia, devout churchgoers, decent, and uncommonly traditional. Needless to say, the aspirations his folks would have for him were humble, but respectable get a well-paying job, college or not, a loving wife, a large family and bring them to visit their grandparents on Thanksgiving and Christmas and in the summertime. Wear the tie with pride, keep the white shirt crisp, and love your work. Read the Bible on family nights, and then have a game of Uno or Monopoly. Go out for ice cream after church on Sundays, help the kids with their homework on the weekdays, and take everyone out to a simple restaurant on Saturdays.So it would come as no surprise that Kyle Hawkins ended up going to a two-bit art school and caught what was to him a big break as a music video director, after sleeping with a producer. What was unusual, however, was that Kyle drank himself to sleep for the next several days over it, and swore that sort of "sleaziness" would never catch him in a moment of weakness again. What was even more unusual, though, was that Kyle read his Bible every Sunday night, alone in his apartment building. As a director, he became more and more well liked, and began to deal with rock stars and divas that normal people would scream through gates, arms extended, in worship towards. He found that he could manipulate anyone's image, and teamed up with a genius songwriter, Henry Ruduarid, and a crafty producer, Ben Johnston, offering to clean glib sleaze into white-handed innocence, or the other way around. People would pay exorbant amounts of money to effectively control public image, he discovered.
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Pretty soon he found himself as the writer, director, and producer of an indie flick, funded by his savings from two and a half years of having all of his work debut with resounding success on MTV or VH1. The movie was about a drug-addled gangland hitman who found his redemption in his love with the widow of one of his targets. It made about as much money at the box office as it cost to create, but it won him numerous awards across the Cannes and Toronto film festivals. Universal then picked him up to do a multi-million dollar post-war drama, then a film adaptation on Uncle Tom's Cabin. They both flourished at the box office, winning mild critical acclamation. The second of those movies won him a Golden Globe. Three flicks later, Kyle had his first Oscar. He was twenty-nine.Though his fame clung to him at all times, Kyle never loosed himself fully onto Hollywood society. It was now that he still read his Bible two Sundays a month, refrained from half the parties he was invited to, and rejected dates from two bombshell actresses (one turned from songstress who he had nurtured since his first days on the directing scene). "I just never really loved anyone else," he told the press on his wedding day, to his attractive-but-never-glamorous college sweetheart, Amy Learhart, who had become a novelist since. While other filmmakers, his peers, continued to please the audience, delivering mindless summer popcorn flicks, Kyle was a rare director whose critical record was near-flawless. Never had he incorporated a slick car chase where expensive, well-detailed imports piled one on top of another, or a numbingly long shootout, where guns ran fire for minutes without reloads and men in expensive suits piled one on top of another. Kyle Hawkins became known as the thinking moviegoer's director. Unfortunately, he discovered, uncompromising scruples in the quality he knew never raked in box office success. He could keep afloat a living doing art-house pictures, but hardly one. Instead, he decided to make a mad dash to the top of the industry. Through his last six films came another Oscar, and the winning respect of every savvy entertainer in the business. With a heavy heart, Kyle retired his camera and took up producing. When he gave up his passion on the set, Kyle's work life wrapped into itself, keen and shrewd. He cut through each new job like a hot blade, ruthless now where he had once been worldly. Within the decade's end, he owned more than half of one of the biggest studios on the planet. Three years after, he acquired the entire corporation, and his wife passed away from cancer. He was thirty-eight years old, and the combination of grief, new power, and his longtime fascination with the public's relation to the stars gave him an idea. And here, his real story begins1 Thursday"Ben, think about it. I'm ready to conduct the whole thing under my system. I've got more than the resources, and God knows now that I've got time. When I told you I was finished, I was serious. Its all here, its all ready," Kyle tapped on his skull. "One more project, like old times sake. I'm rich, you're rich, we could do anything we want. You deserve to take some time off." Benjamin Johnston leaned back in his leather seat, and took a heavy whiff of the coffee that was in the air. Today it was a strong mix of Blue Mountain Special, with dabs of cinnamon and nutmeg interlaced in the aroma. "Going to the Bahamas with my wife is my time off. Getting away from this place. Taking off to some cabin at the base of the Rockies, maybe, you and me goin' hunting again." Kyle nodded and pressed his fingertips together."Then take off permanently. You've got enough to live like you've been living for the rest of your life, and for any kids you might have. And if you're ever in a bind, you know I won't hesitate a second . . . ""Here're your drinks, gentlemen," a pretty waitress interjected. Black for Kyle, a custom Columbia blend for Benjamin. "Thanks," Kyle smiled up at her."I think I'd miss it," his friend said, staring at the other man's drink. "Miss what?""You know.""Fame? The spotlight?""Maybe.""Come on, Benj. We made ourselves taking advantage of how glib and short lived the people in our business are. That's why we didn't end up washed up like them. We've always been better than them, controlled them when we needed to. But Hollywood corrupts now more than ever. I know that's not what you want to be a part of. We have our pride, our memories, our wealth. That's all you'll get out of a place like this. I plan on selling Learheart Studios, after this, you know? This isn't a life for me. I'm an artist, not a businessman, and that's how it's always been. One last project and we retire, and live like we want for the rest of our lives, not like them. Don't you want to see what happens?" "We go out as pioneers, great revolutionaries of the art. If it goes down all right, we can make an irresistible sensation in the masses like never seen before.""You always talked about one big film, your best shot towards making a timeless classic, an epic, a movie where everything was just right. Before you retired, your last work. Something where box office, profit margins didn't matter. Just good cinema. Something people could remember you by, a legacy.""You see what this is, then?""But who will remember you for this? How are you going to leave an imprint on the cultural stream if your revolutionary pursuit involves pulling the wool over the people's eyes?""Forget about the people. I need to do this for me. It's so perfect, I can't just leave it. I've made a few lasting films in my stay in Hollywood, and one more isn't going to change that much. But if we do this, it'll be something to live on in our heads forever who cares if no one else can experience it? I've lost the chronic need to please the people, Ben. I can't maintain a life as an entertainer much longer. I just want to know, for myself, doing this." He took a sip of his coffee, and then said, "The same thing's happening to me, Kyle. Alice and me, we were just talking about it the other day, my retirement. I haven't thought about it seriously until now, though." He paused, moistening his lips. "Hollywood is made of puppets, and taking one to the extreme, well, I'd have had ethical conflicts if it was just this, a total fabrication of a person, fooling the public. But, since it's set in this context, in Hollywood, and there is a sort of irony to besting the industry with their own tools of the trade, I won't object to that end. How long would it take?""It's an experiment. You can't possibly predict how long it'll last. But that's beside the point. Trust me, when it ends, if it ends, you're not going to go back. Doesn't retirement sound good, though? Live like we wanna live for the rest of our lives." He ended in a low whisper to the man two years his junior."Why the hell not?" Ben agreed, a wry smirk spread across his face. They shook hands firmly across the table, and Kyle's eyes lit up. "You've convinced me to retire, so I figure I'm gonna go out with some memories. How, uh, many people are really going to know about this?""If we play our cards right, we might make it just the three of us. You, me, and the face of our little pet icon. No matter what you do, you can't break down a celebrity any more there has to be a person at its core. But she won't be that smart, will she? Besides, there's all the middlemen that she'd deal with, and the press, of course. If you're not afraid to get your hands dirty, swear a bunch of people to secrecy but don't tell them why, just give them large amounts of money . . . well, that'd be ideal. But I doubt we could get it to work that way. I'll send you some details later. Anybody who has overheard us will think that we're conspiring against the government or something," he chuckled. "You just wrapped up your last job, right? So you can start as soon as possible, no obligations?"The timing couldn't be better."That evening, Ben received an e-mail.FROM Hawkman@learheartfilms.comTO Bigben@Justintainment.comSUBJECT Work in progress Ben, I would have called, but I wanted to get this all presented to you at once, instead of it turning into a conversation. You remember Amy's second book, Whisper? She never finished writing it, but I think she may have showed you while she was working on it. There was this lovely character, Tianca Harris, who didn't have much of a role, at least, not yet, but she reminded me so much of Amy . . . and that's the personality I want to create, but exaggerated, of course. A sweetheart at the core, but intelligent, a touch skeptical, headstrong, charitable, well, the list could go on forever. We can just add new traits and make them apparent as we come up with them. The problem, really, is finding an actress of unparalleled comeliness to play her part 4-7, and to keep the press away from her at all moments when she's NOT Tianca (of course, we'll have to come up with a better name). Her role? Well, an actress's image is built on fickle characters and illusions, but someone as artistically steadfast as a screenwriter or a director or a cinematographer, well, doesn't have the coverage nor interest of the public to capture enough attention. I was thinking a singer would be great. I mean, they take on about as much solid personality as anyone in showbiz, and they are the ones that really become the icons of a generation, aren't they? They have the power to move people to tears, and they're obsessed over. So we start her off as a beautiful crooner, build on that. She'll conform to what the public wants, to whatever extent we can manage, and she'll debut with massive scope. Within two years, I'm set on having her become a staple of pop culture like nothing ever seen before. But first, we build her from humble beginnings, craft her well. I guess its time to pull out the old music lens. Out of the fodder that has become of this craft, I'll take the reigns for a few, put my spin and message onto things. I'll make one video that makes her a sex symbol, another that portrays her as the ultimate sweetheart (don't underestimate the power of sentiment, still, if its done right, mixed in with the right elements), another that's an art piece, something that gives the idea that she can look deeply inside life, ponderously, and perhaps play on the ironies and tragedies of true Hollywood life to differentiate her from the glib. Doing these right is vital, but think of the possibilities! We'll devote equal amounts of PR stunts to charities, exhibitions, intellectual involvement, and anything else you can think of to shape this character. I'm thinking three acts, from minor to majorAct I We introduce her quietly, as an independent, slightly cynical, a bit radical, deeply thoughtful songstress at Lilith Fair or something. However, we use for her image a real bombshell, so she'll attract attention in her tentative little manner. The first impression is the most important one, and I want it to be of quality and intelligence. That image is the hardest to convey, and it'll be lost if we don't do it first.Act II She waxes coy, inoculate. We give her about a year to blossom, and in the second half of that year, we slowly, very slowly, change her to a proper and prim innocent image. I realize that this stuff's never been taken seriously, but given her former self, we'll be able to pull it off. This will be her real breakout we hit her with massive teen appeal, and she'll croon about unrequited love, heartbreak, and perhaps the occasional fun song in there. Act III This'll be the most difficult. This is her big sex symbol breakout. The music video and song for it will have been done years ago, maybe as soon as we find her. The sheer youth look'll overwhelm the public, and we'll keep Acts I and II on steady trickles to balance her out. Essentially, this is the ultimate act of giving people what they want. The perfect national sweetheart for the past year, an enrapturing face and body I will not stop until she becomes the most desired woman in the country. And all of a sudden, she satiates what the male audience wants, what they've been holding to for so long. It shows them that she's not afraid to flash some skin, sell herself. It may not seem necessary now, but trust me, it will be. And at the end of this act, we'll put her into cinema and see how she fares. 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