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Paddy Clarke Ha Ha Ha Part of the human package is loss. We can try to protect our children as much as we can, but that would be the biggest loss of all.
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An essential part of living is that loss, fear and cruelty, confronting it and triumphing over it (Roddy Doyle).At one point in everyone's childhood, we are exposed to loss, fear, and cruelty. Although painful, these are the points in life that build and shape us. In the novel Paddy Clarke Ha Ha Ha, by Roddy Doyle, there's an in-depth exploration of the development of a small boy's empathy from his exposure to loss, fear and cruelty. The point of view of the novel is of this ten year old boy Paddy Clarke. So the reader is able to see his growth while enduring changes in his life his parents' separation. This endurance of pain shapes him into a more empathetic boy. This can be examined through the use of tone, figurative language, and through his relationship with his brother, which reveals paddy's character by how he responds to changes in his life. Through the observation of Paddy's growth, the reader may take away from the book a better understanding of the nature of pain and its necessity for personal growth and improvement.Through Doyle's use of diction, a childlike tone is established all-throughout the novel. The tone reveals Paddy's curious character. It shows that he is sensitive to emotional atmospheres and exhibits a whole-hearted love for life. Although the childlike tone remains consistent, the reader is still able to see a significant change in Paddy's character. The tone shifts, however, once he becomes aware of the fights occurring between his parents.At the beginning, when he's oblivious to any family problems, his enthusiastic and playful tone reveals his excitement about the world I loved watching the grass change colour. I loved it when the flame began to race through the grass (). Repeated words like 'loved' help reveal Paddy is a happy child with so much to learn in his exciting childhood. He is simply oblivious to all else.Soon, this happy obliviousness begins to fade as Paddy becomes more in tune to the tension in the family Stop, I only whispered it… screamed whispers…stop (). The repetition of 'stop' stresses his desire for the fight to end. The harsh sounding 'screamed' helps the reader see from Paddy's point of view, understanding things as a child would I stayed there, standing. I had to stay still. If I moved it would start again (). Here it is clear that his tone takes on a more anxious edge. Doyle's use of short sentences adds to the affect of Paddy's concern. It is his inner monologue Doyle's describing, so by making them short sentences this enhances his anxiousness.By changing the tone in paddy through sharp diction and short sentences, the reader may better examine how Paddy's growing. The tone changes from playful and childlike, to anxious and worried. This reveals how Paddy has become much more aware of others and is sensitized to emotional atmospheres. His exposure to the pain caused from hearing his parents fight changes him from an oblivious child to a much more empathetic boy.Figurative language is recurrent throughout the novel. Doyle uses devices like imagery, symbolism and metaphor to illustrate the deterioration of paddy's family and represent the growth in Paddy from experiencing the pain of losing his family. This may be seen through countless figurative devices, but in particular through the imagery of the 'glass wall separation' and through 'darkness' its' symbolic nature and metaphorical value. Firstly, through imagery, the reader attains a better understanding of the family's separation. In a description of a family portrait taken of Paddy's family, Patrick- his father- is always out of the picture because he's the one taking the photograph Even when Da was taking photographs of us… Dad would walk away and turn around and look at us through the camera… he'd take ages looking down into the camera then up at us… (4). He is looking through a lens that separates him from his family. Doyle's use of imagery here is effective in signifying that there is a problem occurring between Paddy's parents causing the separation of one family member. By physically describing a wall with Paddy, his siblings and mother on one side and his father on the other, the reader can interpret this as a figurative means of illustrating the conflict in the family; that Paddy's father will never connect with his family, physically but emotionally as well. The separation of Patrick finally occurs at the end of the novel where the glass separation imagery is revisited. It occurs between Paddy and his Dad I just knew he wasn't coming back. I saw him in the glass. He waited for a few seconds, then went (8). The glass' imagery is re-stated to verify that events had led to Patrick leaving and the family had become incomplete. Secondly, through the recurrent mention of darkness, Doyle establishes the dark as a symbol of children's fears, and as a metaphor of Paddy's change from an innocent child to a strong young boy. Darkness is a symbol that represents childhood fear. It sums up all the monsters in the closets, etc. Darkness is what children fear, but not adults. With the reader knowing the symbolic importance of darkness, the growth of Paddy as he responds to darkness is discernable. At the beginning of the novel, Paddy- not openly admitting it- is afraid of the dark It was dark on the landing after the night-light in the bedroom (41). He's dependant on his night-light to keep him from being in the darkThe room was completely dark now. I wanted to turn the light back on but I couldn't; it was Sinbad's. I'd never needed it. I'd said it was stupid… He turned off the light and I was trapped in the full dark (18).Without the night-light on Paddy's intense fear of the dark is exposed to the reader. He is more reliant on the night-light than his younger brother. He equates his strength and maturity to his attitude towards the darkness. It is evident through the diction- 'it was stupid'- that he is ashamed of his fear. As Paddy changes from listening to his parents fighting, his opinion of the dark changes Pitch black dark. No light at all… I was testing myself. I wasn't scared… The dark itself was nothing; there was nothing in it to frighten me (60). He comes across a revelation when his fear of the dark is overcome It was a sign of growing up, when the dark made no more difference to you than the day (78). And this statement is true. Paddy did grow up. He no longer feared the dark, symbolizing all the scary things in childhood. He finally saw darkness for what it was simply no light. This shows Paddy's change in character from a child to a more mature boy.The most obvious examination of Paddy's growth into maturity is the examination of the treatment of his brother Sinbad and how his treatment changes drastically from the beginning to the end of the novel. At the beginning, Paddy uses his brother as a tool in which to establish his rank in the 'gang' of friends. By appearing to have complete domination over his brother, he creates the illusion of having certain superiority in the gang. His method of domination is cruelty and torture. Once, Paddy poured lighter fluid into his brothers' mouth and set it on fire, with the laughter of his friends cheering him on. Sinbad's lips were covered in scabs because of the lighter fuel. For two weeks it had looked like he had no lips (15). Paddy mentions I loved getting him into trouble (10). He appears to the reader to have no love or consideration towards his brother. Sinbad is only a means of gaining rank.Once the tension evolves between Paddy's parents, Paddy comes to a realization he and his brother have something in common they both don't like when their parents fight Sinbad laughed and forced himself to laugh more. I knew why (8). When Paddy's father hit him and Sinbad, instead of crying, they came together and compared the size of the bruises on their bums, and laughed about it.The real turning point in their relationship is when Paddy locks Sinbad in a suitcase and doesn't let him out He lifted the lid and Sinbad was still in there, wide awake… He didn't say anything. He stood there. He didn't look at us or anything (187). Here he realizes he has hurt Sinbad, and begins to feel guilt for the first time. He realizes Sinbad's his brother and he loves him.His opinion of Sinbad also changes as time goes by. Even though paddy feels guilt about hurting Sinbad, he continues to do itI went to thump him and before I had a fist made, I was crying… I put my arms around him. My hands touched around the back. He stayed hard and closed. I thought my arms would soften him. They'd have to. I was hugging a statue (41).Here the reader can see a big change in Paddy. Even though he's still violent with Sinbad, it is for a different reason. He hits him because he needs to hold onto him somehow, and that's the only way he knows how. By contrasting his emotional unstable self with his brother- the statue- the reader may see how much more empathetic Paddy has becomeHe'd found out. I wanted him to talk because I was scared. Pretending to be protecting him. I'd wanted him close to me, to share, to listen together; to stop it or run away. He knew I was frightened and lonely, more than he was (60).All Paddy wants now is to be there with Sinbad and protect him, and in so doing protect himself with his brothers' comfort. Eventually paddy stops being violent with his brother and begins admitting his fears to himself. His empathy has formed him into a caring and sensitive child, all in response to the fights between his parents.Roddy Doyle wrote this book so that the reader may come away from it with a realization of the necessity of experiencing pain and heart-ache. In Paddy Clarke Ha Ha Ha, Paddy, in response to the loss and pain he experiences, has grown out of being oblivious and inconsiderate and into a more sensitive and empathetic young boy. The way in which Doyle reveals Paddy's growth has been examined through tone, figurative devices, and the evolved relationship Paddy has with his brother. Over all, I believe Doyle has achieved his goal of defining pains' importance in all our lives, and most certainly in one little boy's life. Please note that this sample paper on Paddy Clarke Ha Ha Ha is for your review only. In order to eliminate any of the plagiarism issues, it is highly recommended that you do not use it for you own writing purposes. In case you experience difficulties with writing a well structured and accurately composed paper on Paddy Clarke Ha Ha Ha, we are here to assist you. Your persuasive essay on Paddy Clarke Ha Ha Ha will be written from scratch, so you do not have to worry about its originality.
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