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Kubrick as an Auteur DirectorTo prepare for writing this paper I went to the library to watch both Dr. Strangelove and A Clockwork Orange. I watched them one after the other so that the first one would be fresh in my head and I would be able to make comparisons between the two more easily. After watching them I came to the definitive conclusion that Kubrick's style between the two films, in almost every aspect, remains unchanged. Auteur is defined as "a filmmaker, usually a director, who exercises creative control over his or her works and has a strong personal style." After I read this I thought to myself that there is no better way to describe Kubrick as a director. He exercises complete creative control, and due to the similarities, it seems that he has a strong personal style. Now I have never seem any other films by Stanley Kubrick, but I am willing to bet that the characteristics found to be so similar in these films can also be found in at least some of his other films. Due to the similarities of these films there will little, if any at all, contrasting in this paper. Instead, I will try to point out the similarities in his techniques, themes, and characters.In Dr. Strangelove and in A Clockwork Orange there are a couple of different techniques that are fairly unique and cant be found in many other films, but are used in both of these movies. One such technique is counter-pointing. This term refers to a technique in which an action is juxtaposed by music that gives a feeling opposite to the action taking place. A particular scene in A Clockwork Orange uses this technique just as the definition describes. It begins with Alex and his "droogs" walking into an abandoned amphitheater where they see, what appears to be a rival gang, raping another woman. An altercation between the two groups of men follows. All the while during the fight scene there is classical music playing in the background. There is a very similar montage in the final moments of Dr. Strangelove. The movie ends with short five second clips of bombs being dropped. This is accompanied by a soft jazz type of music. Counter-pointing is very powerful because it can easily mix emotions, especially when the subject matter that goes along with it is so violent in these movies. Another technique that is a rarity in most other films is Kubrick's odd use of color. Color is something that tends to be a subconscious element of film. It easily manipulates the viewer by setting the mood of the scene, or even the whole movie. That is why I find Kubrick's choice of colors in these two films particularly interesting. A Clockwork Orange is a film that takes place during bleak times where crime and poverty are a serious problem. That mood is easily set in the first few minutes of the film with the color. Kubrick uses a very dull and lifeless color throughout the entire movie to convey the despair of the times. For Dr. Strangelove he removes the element of color all together by filming it in black and white. Like the situation of A Clockwork Orange, the situation here is also bleak and hopeless. The world is nearing an end, and using color would take away from that. I think that the movie has its comedic moments, and the use of black and white kind of off sets it enough to still create the atmosphere of war. Another reoccurring technique is the use of tight framing. Using tight framing conveys a lack of freedom feeling, or a feeling of being confined by something, whether that something is intangible or tangible. The use of tight framing is consistent throughout these films, but particularly jumped out at me in the war room scenes of Dr. Strangelove. When the camera is at a low angle shot looking down on the table full of people and the lights are hanging from the ceiling, the lights frame the people and the table perfectly. In the shots where the camera is at eye level with the table, the shot is tightly framed by all of the faces looking in on Buck Turgidson. In A Clockwork Orange tight frames are predominantly in the latter part of the film when Alex is in rehabilitation. It clearly shows his lack of freedom. Along with using similar techniques in these two films, he also uses similar themes.A theme in a film is generally a reoccurring thought, idea, or principal which the director or writer wishes to stress. The themes that Kubrick wishes to stress are often a little bit over the edge and sometimes even a little controversial. Both Dr. Strangelove and A Clockwork Orange have those themes that are edgy and a little bit controversial. Sexuality and men is definitely a common theme among the two. Dr. Strangelove is absolutely filled with some very subtle sexual references, along with some not so subtle references. One of the not so subtle ones takes place in the airplane when they are going through the survival pack. There are only a few items in it, but one of them happens to be a condom. Even some of the character names have sexual innuendos. For example, Merkin Muffley; a merkin is a pubic hair wig and the muff is a slang term for the female genitals. Jack D. Ripper is an obvious reference to the famous serial killer Jack the Ripper, who was famous for raping and brutally murdering female victims. In a Clockwork Orange the references are hardly subtle at all. The main characters spend their evenings looking for women to rape and harass. There is also a fair amount of nudity in the film. Along with the sexuality theme there is also a cynicism of the government in these films. In both we find the government to seem slightly incompetent. President Merkin Muffley is portrayed a weak and slightly feminine president. Along with that, the government is made to look even more incompetent because the bomb dropping isn't supposed to happen, but they don't have the power to stop it. For A Clockwork Orange the government proves incompetent when Alex's treatment goes wrong. Sexuality as well as the cynicism of the government is conveyed clearly in both movies.
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Along with his techniques and his themes, Stanley Kubrick also uses characters that are very comparable in his films. These characters are not so much comparable by physical appearance, or even by the actions that they take, but just the basis behind them. In both of these films the characters are on the extreme side, but in different ways. The characters in Dr. Strangelove are extreme because they are a little bit over the top. For instance, when Major T. J. Kong rides the nuclear bomb from the plane down to the Earth. Alex's character is extreme in a more realistic sense, where he is causing mischief and getting into trouble. Though the types of extremes are slightly different, they are still extreme. I also found that the characters were not only extreme, but they had unusually large male egos. Alex's constant craving for women and sex exemplify the male ego, along with his constant need to fight. He always felt that he had to be in charge and in the most power. That is why he felt he had to beat up his "droogs" and show them who is boss. In Dr. Strangelove Jack D. Ripper has a kind of obsession with war and feels that he is correct in his choice to drop the bomb, and is unwilling to back down, much like the typical male ego.If the only qualifications for being considered an auteur director are to exercise creative control and to have your own personal style, then Stanley Kubrick clearly meets the criteria. His reoccurring techniques, themes, and characters are the proof that he does qualify. Please note that this sample paper on Stanley Kubrick as an Aueter Director is for your review only. In order to eliminate any of the plagiarism issues, it is highly recommended that you do not use it for you own writing purposes. In case you experience difficulties with writing a well structured and accurately composed paper on Stanley Kubrick as an Aueter Director, we are here to assist you. Your persuasive essay on Stanley Kubrick as an Aueter Director will be written from scratch, so you do not have to worry about its originality.
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