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Within the first few scenes of the play, the audience learns that Hamlet is an intellectual as he is seeking permission along with his friend Laertes to return to his studies at the University of Wittenberg. Hamlet can not be called a man of action. His career has no parallel to that of the war-like Fortinbras who is his Norwegian counterpart. We learn that even the rowdiness of the Dutch court displeases Hamlet. We discover Hamlet to be a man of thought as opposed to that of a soldier, however we should also recognise that Hamlet does not think like a scholar at times of extreme pressure. Instead of carefully processing a well-balanced and concise argument, the audience sees a disjointed and fragmented chain of thought in his soliloquies. His main cause of distraction is his mother whom he feels very bitter about due to her hasty marriage to his Uncle Claudius who he soon discovers to be the murderer of his beloved father. These constant distractions make it impossible for him to keep his eye on the task of revenge. "Unmixed with baser matter. Yes by Heaven! O, most pernicious woman!" In taking on his 'antic disposition', Hamlet is giving himself an opportunity to vent the anger and frustration that is bound to build up under the tremendous pressure that he is under.
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One of the main issues that prevents Hamlet from acting in the first half of the play is that he has to try and establish whether or not the ghost is merely a vision that has been sent from hell in the form of his father to trick him in his melancholic and depressed state into doing a great wrong. "And shall I couple hell?" The next preventing factor is that Hamlet feels that he must validate for himself the king's guilt. Throughout the play we see Hamlet harshly upbraid himself for his own inability to act. " O what a rogue and peasant slave am I ". He sees himself as being 'pigeon-livered' as well as being somebody who 'lacks gall'. Eventually however Hamlet derives a plan whereby he can 'catch the conscience of the king.' He aims to do this by putting on a re-enactment of his father's murder as it was described to him by the ghost. He endeavours to entertain the king and the courtiers with this cleverly devised performance, all the while he will monitor the reaction of the king and queen so as to establish who the guilty party is. After the performance it is clear in Hamlet's mind who murdered his father. Hamlet in a fit of passion states "Now could I drink hot blood," but as soon as he says this, his thoughts immediately regress back to that of his mother "Now to my mother." Earlier on in the scene the audience hear the player king state that "What to ourselves in passion we propose, The passion ending doth the purpose lose." This is certainly the case where Hamlet is concerned. One could speculate that if it had not been for Hamlet going to see his mother at that point, he might have indeed fulfilled the role as impassioned revenger. However, as usual his mother dominated his thoughts and the 'purpose' is therefore lost as a result. There are moments in the play where Hamlet shows himself to have all the right aspects of the typical medieval revenger. One example of this is where he has made up his mind to avenge his father's death and kill the king, but unfortunately this is yet another futile attempt as Hamlet sees Claudius at prayer in the chapel. He is ready to slay him in the church when he starts to reflect on what he is about to do. He decides that this would be 'hire and salary, not revenge' because Claudius is confessing his sins and would therefore go to heaven, which would not be true revenge. "And am I, then, revenged, To take him in the purging of his soul When he is fit and seasoned for his passage? No!" This is a moment where Hamlet is thinking like that of a true avenger. He was prepared to take the life of Claudis in the chapel until he realized that he would not go to hell if he did so. The audience, however realize that this is not the case as Claudius could not actually bring himself to confess properly "My words fly up, my thoughts remain below; Words without thoughts will never to heaven go." Another example of Hamlet acting on passion is when he accidentally kills Polonius who is hiding behind the arras. This occurs, as he perceives Polonius to be the king. Hamlet's greatest flaw as a revenger is that he 'thinks too precisely on the' event' Hamlet is illustrated throughout the play as being a thinker and not a man of action. He is a man who is constantly seen to be resolving to take action to avenge his father's death, but he never really comes to it, and when he does kill Claudius, he is avenging his own murder as opposed to that of his father's. Please note that this sample paper on shakesperean contexts and oedipal relations in hamlet is for your review only. In order to eliminate any of the plagiarism issues, it is highly recommended that you do not use it for you own writing purposes. In case you experience difficulties with writing a well structured and accurately composed paper on shakesperean contexts and oedipal relations in hamlet, we are here to assist you. Your persuasive essay on shakesperean contexts and oedipal relations in hamlet will be written from scratch, so you do not have to worry about its originality.
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