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It is so terrible with A Rose For Emily, the horrible feelings come up immediately when the story ends with two dead bodies in the old and dirty house. One is Homer Barron, Emilys lover. The other is Emily herself. What a pity for a woman like Emily. No, Emily is not really a woman. She is just a child (or a daughter). Since being born, her life was framed strictly by her selfish father. Miss Emily, a slender figure in white in the background, her father a large silhouette in the foreground, his back to her and clutching a horsewhip, the two of them framed by the back-flung front door. Miss Emily could not find her own real life. And then her father died. Everyone in town was very pleased that Emily might have a chance to be happy from then on. But very shortly after the shock of her fathers death, Emily had another shock when her sweetheart left her alone and went away. Nobody was expecting that. Poor Emily! She was just a little girl having no experience over thirty years of age. Homer, the young man that everyone believed would marry her, was just a liar, as well. And as a result, Emily killed Homer and lay beside his dead body for years. At the age of forty, Emily was still a child -- an old child with loneliness and unfulfilled soul. William Faulkner introduces the story with the gathering of the whole town at Emilys death. The author marks a big curious question for all readers. What happened and how? Then he goes back to the past of Miss Emily, leading us to travel around the closed time circle of her life present back to past and past to present. This is an unusual order. The normal time order consists the progression of the human being from birth through youth, to age and final death. The confusion that Faulkner has given produces a confusion in Emilys life. Emily went to and fro in the lonely circle and did not have any chance to break that circles wall. Outside time was going by quickly as the natural direction. But Emily was encircled inside and was still where she had been. Yes, Emily is a person of the past. Readers have this feeling in the very first sentences through the description of Emilys house lifting its stubborn and coquettish decay above the cotton wagons and the gasoline pumps. This message of essential ugliness of contrast is a presentation of Emily in present time--an eyesore among eyesores. During the story, the conflicts of the old and young generations push Emily all the way back to the past. The old generation remitted her taxes and sent their children to her china painting classes. But the young people were not pleased with their fathers decisions. They no longer sent children to her and they asked her for payment of taxes. See Colonel Satoris. Those are Emilys words to refuse her taxes, just as she refused the existence of Colonel Satoriss death -- the existence of present time. Colonel Satoriss words still had its power in Jefferson and Emily lived with that power against present. Emily is an embodiment of a fallen monument which is secret and terrible. Emilys life is a big, squarish frame house that had once been white, decorated with cupolas and spires and scrolled balconies in the heavily lightsome style of the seventies whose front door remained closed. Faulkner does not talk much about the inside of the house, just as everyone in Jefferson does not know much about Emily. Emily exists strangely like a ghosts shadow of the past. She looked bloated, like a body long submerged in motionless water and of the pallid hue. Her eyes, lost in the fatty ridges of her face, looked like two small pieces of coal pressed into a lamp of dough. In the night, we see her upright torso motionless as that of an idol. This is like a dead body that can speak. Her voice, dry and cold, is a reflection of the time immemorial. I have no taxes in Jefferson was four times repeated very coldly in the short conservation with The Board of Aldermen. Is the cold in her voice from her cold soul or from the cold of the very far distant past? William Faulkner gives us an excellent contrast in characters images that is also the key of the story. Emily overcame every trouble in Jefferson. But Homer -- a laborer, a symbol of youth, a northerner -- an image opposite to Emily -- an aristocrat, a symbol of the old generation, a southerner -- was out of her control. Emily could not keep her living lover with her. This is the reason why she murdered him. Emily needed something to fill up her vacant heart and lonely life. She got nothing but Homer. Homer was killed and laid in the wedding room. Beside him, in the second pillow was the indentation of a head. Emily must have lain next to dead Homer for years. She needed him for her existence in this world, alive or dead. Homer was dead and on the way to paradise (or hell), he brought along a long strand of iron-gray hair that Emily had given him with all love, all trust and all her life. What a pity love, the life of poor Emily!
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