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Our staff of freelance writers includes over 120 experts proficient in Feminism in Chaucer's "Wife of Bath's Prologue and Tale", therefore you can rest assured that your assignment will be handled by only top rated specialists. Order your Feminism in Chaucer's "Wife of Bath's Prologue and Tale" paper at affordable prices !Feminism is the theory of the political, economic, and social equality of the sexes directed solely towards womens rights and interests. Chaucers The Wife of Baths Prologue and Tale is a medieval legend that paints a portrait of strong women finding love and themselves in the most trying of situations through a transformation of an old hag into a beautiful maid. It centers around feminine issues, posing the question what do women want most and ending with the moral that wives deserve kind and devoted husbands who will give up full control in a marriage to them. It is presented by showcasing the ways a female character gains power within a repressive, patriarchal society. Underneath the simplistic plot of female empowerment lies an underbelly of anti-feminism. Sometimes this is presented blatantly to the reader, such as the case of Janekins reading aloud from "The Book of Wikked Wives." However, there are many other instances of anti-feminism that may not scream so loudly to the reader. This is shown in the disappearance of the rape victim and the happy ending for the Knight. While the overall story is one of supposed feminism shown through womens empowerment, there are many aspects of "The Wife of Bath" that are anti-feminist in nature. The main character, Alison, or the wife of Bath, is representative of most of the feminist ideals in the work. She is strong, independent, and to be respected as a woman of great courage. Alison has suffered a great deal in her lifetime, indicative of life for women at this time. She has survived five husbands; some who beat her, others were unfaithful. She was married off at an early age of twelve and from then on knew what marriage was about money. Marriage is the key to survival, and that is what Alisoun seeks and finds through her five marriages. Alison equates money with power and with this power comes respect and honor. A more careful analysis of both the "General Prologue" and The Wife of Baths Tale and Prologue, however, suggest that perhaps the character of Alison is not as autonomous as we are led to believe. The General Prologue gives evidence of Alisons skills as a weaver "of clooth-makyng she hadde swich an haunt/ She passed hem of Ypres and of Gaunt" (General Prologue 447-448). Despite this talent and position as a business owner, Alison still relies on her husbands for wealth and status.
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While Alison in her own right is an accomplished artisan, she is rarely seen as her own person. Others on the voyage to Canterbury are referred to by their name and occupation, for example the Clerk and the Merchant, yet Alison is referred to as the wife of Bath. This shows that her importance lies within her sexuality or marital status. She is not a person or even an artisan; she is merely a wife. Another criticism of Alisons character as one representing feminist ideals is that she gains her power through acting out stereotypes of women as well as violence. The criticism of women began with Eve eating the apple, which caused the downfall of mankind, referring to only men. By this means women were the downfall of men. Wives were thought to be nagging, vicious, and yet in complete subordination to their husbands. In the case of her first three husbands, Alison commands power by acting out these stereotypes. She says "I governed hem so wel after my lawe/ That eech of hem ful blissful was and fawe/ To bringe me gaye thinges fro the faire; They were ful glade whan I spak hem faire, For God it woot, I chidde hem spitously" (The Wife of Baths Prologue and Tale 1-). Alison also utilizes violence as a means of obtaining power. While her first three husbands are old, wealthy and easily tricked, her fifth husband is twenty years younger and has many ideas of what a wifes role is. He uses violence as a means to control her. Alison testifies to the reader, "that feele I on my ribbes al by rewe/ and evere shal unto myn ending day" (The Wife of Baths Prologue and Tale 506-507). She responds by using violence against him and in turn, he gives up some of his power. She claims, "he yaf me al the bridel in myn hand/ To han the governance of hous and land" (The Wife of Baths Prologue and Tale 81-814). Alison is portrayed as an anti-feminist in that she is unable to gain power through methods of intelligence and independence. She instead uses violence and acts out negative stereotypes of women. The ambiguity of the role of feminism in The Wife of Bath is complicated further in the casual manner in which the rape and the victim of rape are treated. "And happed that, allone as he was born/ he saugh a mayde walkynge him biforn/ of which mayde anon, maugree hir heed/ By verray force he rafte hir maydenhed." (The Wife of Baths Prologue and Tale 81-84) The language depicts the rape in almost romantic terms. The Knight is portrayed as a very romantic character, one full of charm and grace. He is cast in such a heroic light that it makes it difficult for the reader to perceive his encounter with the maiden as rape. Furthermore, the court treats the rape in the same casual manner as it happens. As one critic argues Arthurs ready handing over of the guilty knight to a non-governing court for a trivial sentence seems indicative of the exploitation of an excluded group, the uncompensated female victims of medieval patriarchal society. (Lee 17) As casually as the Knight and the act of rape are treated, so is the victim, the young maiden. After our initial encounter meeting her, she does not again show up in the text. The role of the maiden is encapsulated by one scholar the girl is not a member, or not a full member, of this society, and can be ignored until her body is wanted again (Lee 17). The unnamed exploited woman disappears from the tale, showing the reader that she is not a subject worthy of study, nor does she have much to do with the overall plot. Some readers argue the tale is feminist in nature in part due to the quest of the Knight. While his quest may be interpreted as a lack of punishment, others contend that it is not meant to be a journey of punishment, but a journey of knowledge. He must not only speak with women, but listen to them. By doing so, for the first time in his life he is seeing women as people, not as mere objects. OBrien argues that the Knights life is first in the hands of the female parliament and second in the hands of the loathly lady "the rapist-knight must embark on a quest whose fundamental purposes are to acknowledge the autonomy of female desire and to learn what it feels like to owe his body to another" (OBrien 77). In a very figurative sense, the Knight is raped through this justice. It is arguable that the Knight is punished and thereby, The Wife of Baths Tale remains a feminist tale. However, I would emphasize that the rather happy ending assigned to the knight denotes the presence of anti-feminism. The end result is the Knights long life of happiness, "and thus they lyve unto hir lyves ende/ in parfit joye" (The Wife of Baths Prologue and Tale 157-158). In this tale the rapist is freed from punishment and ultimately rewarded with a young, beautiful, and faithful wife. The tale of The Wife of Bath displayed both intriguing feminist ideas for its time, and also subtle anti-feminist speech. The main character, Alison, represents the empowered woman. Yet, the portrayal of the young maiden demonstrates the need in medieval times to place women into categories, thereby making it easier for them to be dominated. With the absence of the maiden, the knight is turned into the hero of the tale, with the reader hoping for a happy ending for him. The Wife of Baths Prologue and Tale can be seen as both a tale of womens empowerment as well as a vivid illustration of the struggles women encountered on a daily basis. Chaucer, Geoffrey. The Wife of Bath's Prologue and Tale. (1-, 506-507, 81-814, 81-84, 157-158)Lee, Brian S. "Exploitation and Excommunication in The Wife of Baths Tale." Philological Quarterly, v74. (15) 17(1) OBrien, Timothy D. "Troubling Waters The Feminine and the Wife of Baths Performance" Modern Language Quarterly, v5. (1) 77(15). Please note that this sample paper on Feminism in Chaucer's "Wife of Bath's Prologue and Tale" is for your review only. In order to eliminate any of the plagiarism issues, it is highly recommended that you do not use it for you own writing purposes. In case you experience difficulties with writing a well structured and accurately composed paper on Feminism in Chaucer's "Wife of Bath's Prologue and Tale", we are here to assist you. Your persuasive essay on Feminism in Chaucer's "Wife of Bath's Prologue and Tale" will be written from scratch, so you do not have to worry about its originality.
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